Odnośniki
- Index
- Khelein Hum Jee Jaan Sey (2011), Khelein Hum Jee Jaan Sey
- Katalog Inżyniera 2011-2012, Inżynier, Katalog Inżyniera
- Keyboard.Magazine-2011.10, Keyboard Magazine
- Kalendarz 2011 Marek Kamiński - Marek Kamiński, 27
- Katalog Systemy Elektroinstalacyjne 2010-2011, Elektryka, Katalogi, Hager
- Kirjeshakki 2011-03, Chess, Kirjeshakki
- Key for Autodesk Products 2010, BUDOWNICTWO, PROGRAMY INŻYNIERSKIE, Autodesk Revit Architecture 2011 PL 32 i 64 bit
- Kaczyński do radnych PiS - głosujcie przeciw likwidacji (23-02-2011), monitoring kandydatów [Łódź], Wybory samorządowe 2010, radni, Artykuły (media)
- Kanada wycofa kontyngent z Afganistanu w 2011 r, AFGANISTAN
- Katalog Tupperware wiosna - lato 2011, Tupperware
- zanotowane.pl
- doc.pisz.pl
- pdf.pisz.pl
- anetpfajfer.opx.pl
Keiko Matsui - The Road...(2011), Keiko Matsui - The Road...(2011)
[ Pobierz całość w formacie PDF ]Keiko Matsui - The Road...(2011)Jazz, Smooth Jazz | MP3 CBR 192 kbps | 44:47 min | 61 MBReleased: January 25, 2011 | Label: ShanachieTracklist:1. Secret Pond (5:01)2. Falcon's Wing (4:47)3. Nguea Wonja (4:06)4. Bohemian Concerto (5:20)5. Embrace & Surrender (4:46)6. Awakening [feat. Kirk Whalum] (5:29)7. Touching Peace (4:46)8. Affirmation [feat. Kirk Whalum] (6:00)9. The Road? [feat. Jackiem Joyner] (4:28)“ It's been four long years since pianist and composer Keiko Matsui released the spare, elegant Moyo. That is an atypical break for an artist who has recorded 22 studio albums since her debut in the late 1980s. Appearing on Shanachie for the first time, The Road was largely self-produced. Matsui appears in varying contexts here, from trios to quartets and quintets to an octet on a musically diverse set that sums up virtually every place she's been while continuing to point the way forward. Some of these players have collaborated with her for decades while still others make their initial appearances. The opening "Secret Pond" utilizes Matsui's love of new age music in a context that also employs Japanese folk melodies and classical themes; it is arranged by Heigo Yokouchi and features bassist Reggie Hamilton and drummer Vinnie Colaiuta. Cameroonian bassist, composer, and vocalist Richard Bona appears on the successive tracks "Falcon's Wing," and "Nguea Wonja." The former is a breezy minor-key affair with Matsui playing a classical theme counter to Bona's lithe, nocturnal bassline and shimmering wordless vocal. The latter is an exercise in world jazz that encompasses African and Latin rhythms in a stridently syncopated context. "Bohemian Concerto" is a dead cross between tango and flamenco with Matsui's piano trio pairing with a quartet of accordion, classical guitar, violin, and cello. Kirk Whalum appears on the 21st century funky blues that is "Awakening" in a septet; he trades breaks with James Hara's guitar and Matsui. He also guests on the smooth-gooving "Affirmation," in which his soulful saxophone solo is the centerpiece. The set closes with the title track. Jackiem Joyner plays saxophone in the slowly developing tune which weds classical and new age. Derek Nakamoto's arrangement places Joyner's bluesy saxophone in direct juxtaposition to Kay Ta Matsuno's guitar and dulcimer, but the track is captured by a knotty, startling piano solo by Matsui that ends in a percussive crescendo. The Road is yet another fascinating chapter in the career of a prolific artist whose approach to contemporary music knows no bounds. -- Thom Jurek [ Pobierz całość w formacie PDF ]